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PARMIGIANINO

      Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

PARMIGIANINO Madonna of the Long Neck painting


Madonna of the Long Neck
new3/PARMIGIANINO-555239.jpg
Painting ID::  29881

  mk67 Oil on panel 86 1/4x53 1/8in Uffizi,Gallery
   
   
   

PARMIGIANINO

      Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

PARMIGIANINO Madonna of the Long Neck painting


Madonna of the Long Neck
new9/PARMIGIANINO-739285.jpg
Painting ID::  33497

  mk86 c.1534-1540 Oil on wood 216x132cm Florence,Galleria degli Uffizi
   
   
   

PARMIGIANINO

      Italian Mannerist Painter, 1503-1540 Italian painter, draughtsman and printmaker. Beginning a career that was to last only two decades, he moved from precocious success in the shadow of Correggio in Parma to be hailed in the Rome of Clement VII as Raphael reborn. There he executed few large-scale works but was introduced to printmaking. After the Sack of Rome in 1527, he returned to northern Italy, where in his final decade he created some of his most markedly Mannerist works. Equally gifted as a painter of small panels and large-scale frescoes both sacred and profane, he was also one of the most penetrating portrait painters of his age.

PARMIGIANINO Madonna of the Long Neck painting


Madonna of the Long Neck
new16/PARMIGIANINO-377935.jpg
Painting ID::  44893

  mk176 1534-40 panel 85x52
   
   
   

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